Remnants of Blood

When Tannin’s grandfather dies she is left to deal with his not-inconsiderable debt. Forcibly thrown into a cut-throat world of thievery and intrigue, the last things Tannin expects to have to deal with are wayward princesses and half-forgotten fairy stories. But as she goes looking for answers in her grandfather's old journal, Tannin finds that there is a lot more to her, and to the mysteries surrounding her, than she ever thought possible. CW lots of murder, hanging

Fierce Femmes and Notorious Liars

On the day a clan of dead mermaids washes up on the shore of her hometown, the unnamed protagonist leaves her home of the City of Smoke and Lights and is taken to the Street of Miracles where she becomes friends with other trans women sex workers. After one of their number is murdered, the protagonist and a number of her new found family form the gang The Lipstick Lacerators and wreak their vengeance on the male visitors to the street.
CW: transphobia, transphobic violence (including mentions of murder and rape), self-harm and suicidal ideation

Slag Wars

Slag wars is a 4-part reality show where two pornstars known collectively as the "Cock Destroyers" (Sophie Anderson and Rebecca More) look for the next member of their team through a variety of funny and sexy challenges that are more safe-for-work than you would expect. TW: sex work, mentions of transphobia, mentions of homophobia, mentions of homelessness and being kicked out of home, mentions of abuse

A Deadly Education

When she was nine El (shot for Galadriel, think the "all shall love me and despair" version) was prophesised to destroy the world. Now she is in her second last year at a magical school that wants to kill her, she can't write an essay without inventing a spell to enslave minds, and worst of all, everyone's favourite heroic wizard-boy Owen Lake has just saved her life for the second time.

Splatter Capital

The tagline for Splatter Capital promises “a guide for surviving the horror movie we collectively inhabit” but really it is a breakdown of how splatter horror can act as a Marxist representation of life under capitalism – where bodies are dismembered and consumed by the more fortunate for the sake of maintaining production. It also poses that splatter horror can present a cathartic alternative, where the disenfranchised are able to rise up and literally “eat the rich”.